2.05.2009
2.03.2009
Robert Lebeck's portraits
On the Photo of Robert Lebeck everyone can play himself.
Like Jackie Kennedy and Lee Radziwill,
Like Jackie Kennedy and Lee Radziwill,

Romy Schneider

and... who's that?
2.02.2009
1.14.2009
matrix re-incarnation: After a short :) break "post-men" is back :)
After couple of months staying in the bed:
5.09.2008
fears of multiplication
Some day you will seat in your flat and you will call your love cat. He will come, but as much green as milion others which will come with him... That was happend already with Sandy Skoglund's cat, so prepare youreself and be ready for that day. See more multiplicate, atomic animals on: http://www.sandyskoglund.com/5.08.2008
period of love
Raoul Hausmann (July 12, 1886 – February 1, 1971) was an Austrian sculptor and writer. He was one of the key figures of Dada in Berlin (moved there from Vienna). He was recognizable because of his conceptual creativity and radicalism.
But perhaps seeing him only through his political-engagement doesn’t let to understand his personality. Series of not well known photos of Vera Broido, which I have found in Berlinische Gallerie (Museum of Contemporary Art), suggests that he have also contemplative, romantic and melancholic part of his nature.
But perhaps seeing him only through his political-engagement doesn’t let to understand his personality. Series of not well known photos of Vera Broido, which I have found in Berlinische Gallerie (Museum of Contemporary Art), suggests that he have also contemplative, romantic and melancholic part of his nature.

Vera Broido was born in St Petersburg in 1907, the daughter of two Russian Jewish revolutionaries. In 1914 when Vera was only seven, her mother was exiled to Western Siberia for her anti-war attitudes; so Vera boarded the Transiberian Express and set off with her mother for a place so far away that even the newspapers didn't reach her. Thanks to father she could emigrate to Germany. During her stay in Berlin she meets Hausmann becoming his model and partner between 1928 and 1934.
Their intensive relationship results in series of photos with very intimate atmosphere.
He explores his own voyeurism as only manner to define his feelings.
This voyeurism which could changes into obsession realize in general very sad truth about the nature of every contact between two people. In fact the moment of someone’s appearing
is pendant to her absence.

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